Amateur Property in the Heart of the Parione District

Rome, historic center, Rione Parione - Piazza Campo de' Fiori. Amateur property on the second floor of a beautiful historic building.

• Ref. GQS23
• 141 sqm.
• 4 Bedrooms
• 2 Bathrooms

Rome, historic center, Rione Parione - Piazza Campo de ’Fiori. Amateur property on the first floor of a beautiful historic building, with a view directly on Piazza Campo de 'Fiori, one of the most fascinating squares in the historic Roman center.
The property consists of two completely restored and finely furnished apartments, composed as follows:
- Internal apartment 2A, of approximately 67.00 square meters, consisting of a large dining area with open kitchen connected with a comfortable internal staircase to first delicious mezzanine with comfortable sleeping area; A living room, this also connected with a large internal staircase to a second mezzanine with a large sleeping area; A bathroom with multifunction shower and chromotherapy.
- Internal apartment 2b, of about 74.00 square meters, consisting of a large living room, kitchen, bedroom, bathroom with multifunction shower and closet.

The elegant houses are enriched with fine furnishings, visible wood ceilings, showers with chromotherapy and equipped with air conditioning system.
Currently used by the property as a refined holiday homes, with consolidated and high income.

Details:
Amateur apartments
67.00 sqm int. 2nd
74.00 sqm int. 2b
Fine furnishings
Exposed wooden ceilings
Shower with chromotherapy
Air conditioning
High profitability

Rione Parione
"The main floor of the city"

The Parione is harmoniously set inside the bend that the Tiber performs to touch the Vatican and then re -engraved along the Janiculum; To be exact, it is between the axis of Corso Rinascimento in the east and that of via de ’Cappellari in the south-west, to form an irregular quadrilateral with the northern corners in the clock square and Piazza delle Cinque Lune. It does not have a considerable extension, but inside there are some of the squares, the churches, the houses and the most renowned and suggestive streets of the capital. Just appoint Piazza Navona and Campo de ’Fiori, to turn on in the memory of citizens and foreigners images and sounds of places with an unmistakable charm.
Sesto Rione di Roma by decree of Pope Benedict XIV, he has a griffin for coat of arms - the well -known Greek mythological creature symbol of pride and nobility - but his name derives from paries, wall, wall: in the sense of 'ruins', which in the Middle Ages were indicated with the term pariones. The ruin is now non -existent; It could be what remained of the fences of the Domitian stadium, or the remains of the sumptuous building of the prefect of the Cromazian urbe: a very high building, rich in refined mosaics and gold ornaments and crystals, and embellished with the representation of a 'Astronomy with celestial signs. Adjacent to the surviving wall, near the Agonal Circus, between the church of San Tommaso in Parione and Piazza Pasquino, there was in fact a structure called Torre Parione de Campo.
The resident population grew in number until the fifteenth century, when the district lost the old handful and disordered identically medieval identity to acquire a more Renaissance physiognomy, thanks to the urban improvement interventions operated under Sixtus IV. Throughout the following century, renovations of buildings, expansion and street pavement, artistic interventions for the aesthetic enhancement of churches and secular buildings favored new settlements and the flourishing of intense commercial activities. The area of ​​the Parione was then so urbanistically dense as to result as the only area included in the Aurelian walls where the built land prevailed over the free ones. The transformations lasted under the subsequent Popes until the mid-eighteenth century, and then followed the urban plan of Domenico Fontana throughout the pre-unitary period; While the most recent and significant alterations of the district were between the end of the nineteenth century and the fascist era.